Thursday, June 10, 2010
Sun . Water . Earth . Entertainment
Two layers containing exactly the same visuals but with a different image manipulation.
The base layer contains a heavy version of the banding/blur filter.
The top layer has a repeater - effect applied.
It overlaps the incoming signal with the previously displayed one. The result looks random and chaotic.
This method has a slight resemblence with nature. It is random with a certain consistancy in its look and behaviour.
The audio part is making use of some filters that help to underline the nature effect.
Sunday, June 6, 2010
Experiment 1 - 3
I tried to apply the same concept that defines the Chaos Theory:
it must be sensitive to initial conditions,
Not sure if I am on the right track. The visuals have something boringly exciting, just like the earlier video narrations.
Love . Cat . Tomato . Duck
After knowing about this dream I googled the four main elements that are occurring in the story and oops, i bumped into this weird lyrics that funny enough contains these 4 words: Love . Cat . Tomato . Duck
Enjoy watching!
Saturday, June 5, 2010
48 hours screening
I am very happy with the result – BIG thanks to the actors!
Unfortunately we did not win anything, but to be honest, I thought the short might potentially be disqualified for not delivering the genre well enough... in the end it got screened in the Academy cinema and a lot of people watched it.
Here are some comments from the 48hours website.
Slightly puzzled responses really :)
Review by 590896825@facebookMichael Cannon Miller on April 22nd, 2010
Less of a time travel film and more of a tone poem. This film was done in an avant garde way where the director organized a series of visually interesting shots, poem recitations and invterviews. I don't believe there is a particular narrative that's discernible to the audience but some of the stop-motion effect shots look particularly cool and I believe there is a joke at the end about the circular nature of time travel. Something to look upon and think about.
Review by kizzlemizzlebizzle on April 24th, 2010
A serious piece where people talk about their interactions with, seemingly, the same person, intercut with poetry readings.
To be honest, I didn’t really get this film. Partly because I switched off about two thirds of the way through, but in their defence, I’m a bit of a cretan. I liked the opening sequence with the jump cuts of the girl giving flirtive glances to the camera. And I liked the stop-motion effect used during the poetry readings, gave a very surreal feel to them. Also I thought the acting was very good. Sorry I wasn’t paying attention.
Review by Lambshank on April 26th, 2010Just didn't get this one. I was interested when the girl had a box of unrelated strange items and I wanted to learn more about that incident but it didn't go anywhere. Neat mirror effect.
Sunday, April 25, 2010
2010/04/16-18 The V48 hours weekend
This year i participated with keeping to the same premise (without script experiment) as for my studio work using some of the non professional actors i collected within the past 4 weeks.
In case you don't know how the 48h works:
Teams are given a particular genre, a character, a sentence and a prop and 48 hours to produce a 7min max movie.
http://www.v48hours.co.nz/
Nevertheless i can show you a video of sunday 7 pm, hand in time!
Watch this to understand the force of group dynamics :)
2010/03/01 You are very special!
Sandringham, take two!
The edit for "Music 1" was done instantly.
"Silvia" and "Friends" needed some time to be finished, as the preparation for the V48hour competition was taking up some space.
"Friends" benefited the fact of going through the 48h competition and the blur experiments i did this week eg. "Love".
A new stylistic method that came up in "Romance" , the 48h short, is to use artistic dividers.
I have seen many artists applying that to their shorts or features (Inland Empire or Antichrist or Svankmajer's jabberwocky cat)
A comedy show from Germany "Bully Parade" uses this scheme effectively for their sketches.
In general i have learned that i can utilize the background noise in a good way as it intensifies an edit. Usually an editor looks out for "invisible cuts", but sometimes as it's a bit irritating using noisy changes wakes up the audience.
The silent portrait method from the first take is still in use for "Silvia" and "Romance"
I should have a consistent way of titling things.... probably i want to get rid of the chronological numbers and also i won't use the word "Portrait" in a portrait short.