The Movie Project by Karin Hofko

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Showing posts with label 06 Film studies. Show all posts
Showing posts with label 06 Film studies. Show all posts

Sunday, April 25, 2010

Objectives and Influences



Avant-guard in film making including a narrative

- Maya Deren 40ies,50ies ("Meshes of the afternoon", also worked with Duchamp on an unfinished film)
- Luis Buñuel
- Alexandro Jodorowsky, Mexico 60ies, 70ies
- David Lynch, USA 60ies and now

Rethinking cinema/TV
- French New Wave ( Francoise Truffaut) 50-60ies
- New German Cinema (Werner Herzog, Reiner Werner Fassbinder, Wim Wenders) 60-80ies
Working with low budget and influenced by the French New Wave, "small" motion pictures and full feature length,
a reaction to the artistic and economic stagnation of German cinema
"Der alte Film ist tot. Wir glauben an den neuen" ("The old cinema is dead. We believe in the new cinema")
- Dogme 95 (Denmark, Lars von Trier, Thomas Vinterberg) 1995-2005

Reality Fiction Mix
- Persiflage of reality eg. Charlie Chaplin's "The Great Dictator"
- Reality shows eg. "Survival", "The Osbournes"
- Harald Schmidts Biography written 2009 (Ich hatte 3000 Frauen - Deutschlands größter TV-Star packt aus)
- BRUNO by Sasha Baron Cohen

Naive Film making
- " Die Bettwurst " by Rosa von Praunheim, Germany 1971 /// Check BEST OF VIDEO
- Youtube contributions by amateurs eg. narration in front of the computer filmed over a web cam (eg. http://www.stupidvideos.com/)
Check this, currently my favorite!!!: CAT IN A BOX

Community art/film projects
- Flash mobs
- Open competitions
- Miranda July (Learning to love you more)
- Rirkrit Tiravanija (food and sculpture–performance–guerrilla action)

Wednesday, March 24, 2010

Non-linearity

In the movie "That obscure object of desire" Luis Buñuel works with a non-linear cast setup. Two actresses, Carole Molina and Angela Bouquet, play the same main role "Conchita", switching roles in alternate scenes and sometimes even in the middle of scenes (at one point, Molina walks behind a curtain and Bouquet emerges a second later).

http://www.youtube.com/watch?v=DnBSNPu0p54&feature=related

Dogme 95

Dogme 95 (Danish for Dogma) was founded in 1995 by Danish directors Lars von Trier and Thomas Vinterberg.
After several other Danish directors joined the avant-garde filmmaking movement it became Dogme 95 Collective / Dogme Brethren.
The movement eventually broke up in 2005.

Influences Realism, French New Wave
Influenced Mumblecore, New Puritans

Wikipedia:
The genre gained international appeal partly because of its accessibility. It sparked off an interest in unknown filmmakers by suggesting that one can make a recognised film without being dependent on commissions or huge Hollywood budgets, depending on European government subsidies and television stations instead. The movement has been criticised for being a disguised attempt to gain media attention. Dogme was initiated to cause a stir and to make filmmakers and audiences re-think the art, effect and essence of filmmaking.

The goal of the Dogme collective is to purify filmmaking by refusing expensive and spectacular special effects

Dogme 95: The Vow of Chastity (abridged):

I swear to the following set of rules drawn up and confirmed by Dogme 95:

  1. Shooting must be done on location. Props and sets must not be brought in.
  2. The sound must never be produced apart from the image or vice-versa.
  3. The camera must be handheld. Any movement or mobility attainable in the hand is permitted.
  4. The film must be in colour. Special lighting is not acceptable.
  5. Optical work and filters are forbidden.
  6. The film must not contain superficial action.
  7. Temporal and geographical alienation are forbidden.
  8. Genre movies are not acceptable.
  9. The film format must be Academy 35mm.
  10. The director must not be credited.

Furthermore I swear as a director to refrain from personal taste. I am no longer an artist. I swear to refrain from creating a 'work', as I regard the instant as more important than the whole. My supreme goal is to force the truth out of my characters and settings. I swear to do so by all the means available and at the cost of any good taste and any aesthetic considerations.

Links:
http://cinetext.philo.at/reports/dogme_ct.html
Spanish summary incl. movie examples
http://www.youtube.com/watch?v=gMel0DQ8dAI&feature=related
http://www.youtube.com/watch?v=_Y9u-elHfOw&feature=related

Outcome:
- Set of rules to create a puristic movie with a consumable storyline
- No Effects
- Professional or trained actors
- Limitations create inspiration for improvisation